![]() This is a really handy trick for creating different feels within a single track.Ĭhanging the playing order of a loop is something you may or may not want to do within Live, perhaps because you prefer to export your audio in order to work with more familiar tools in your main DAW. You can continue this approach with other loops to find out how they interact with your existing material. It’s amazing how much the feel of a main drum loop with a kick, snare and so on can change if you add a hi-hat or percussion sample over the top of it and experiment with its Start Marker position. This can be done in either Arrangement or Session View and involves pressing the clip’s Show/Hide Envelope button at the bottom of the Clip View box.Ī fun way to interact with loops is to move this marker around on a single loop layer. Before using EQ to try to shape each loop in terms of frequency content to sit together better, try muting any unnecessary parts of each loop by using clip volume automation. If you’ve got a few loop layers going that sound good, you may need to tidy them up for more definition. This will preserve the all-important transients as much as possible. For best results with drum content, select Beats from the Warp Mode menu. This will quantize the Warp Marker positions on each transient and tighten up the timing. If there are timing issues within the loop, the quickest method is to right/-click the clip’s waveform view and select Quantize. Warp will be enabled again automatically, but you’ll have to manually enable the Loop button on the right-hand side before dragging it into Session View. This will render the clip as a new file to this correct length. ![]() Right-/-click (PC/Mac) on this audio clip and select Consolidate. ![]()
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